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Marianne Schroeder
53 songs
Total 53 songs
| # | Title | Album | Time | Rating | Play |
|---|---|---|---|---|---|
| 1 | 45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two • 45:12 | 45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two | 45:12 | ||
| 2 | 4′33″ (no. 2, 0′00″)45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two • 4:38 | 45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two | 4:38 | ||
| 3 | Two45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two • 9:34 | 45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two | 9:34 | ||
| 4 | 45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two • 47:10 | 45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two | 47:10 | ||
| 5 | Music for Five45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two • 19:55 | 45′ / 34′46.776″ / 31′57.9864″ / 27′10.554″ / 26′1.1499″ / 4′33″ / Music for Five / Two | 19:55 | ||
| 6 | For John Cage: (0:00)For John Cage • 10:00 | For John Cage | 10:00 | ||
| 7 | For John Cage: (10:00)For John Cage • 10:00 | For John Cage | 10:00 | ||
| 8 | For John Cage: (20:00)For John Cage • 10:00 | For John Cage | 10:00 | ||
| 9 | For John Cage: (30:00)For John Cage • 10:00 | For John Cage | 10:00 | ||
| 10 | For John Cage: (40:00)For John Cage • 10:00 | For John Cage | 10:00 | ||
| 11 | For John Cage: (50:00)For John Cage • 10:00 | For John Cage | 10:00 | ||
| 12 | For John Cage: (60:00)For John Cage • 10:00 | For John Cage | 10:00 | ||
| 13 | For John Cage: (70:00)For John Cage • 7:13 | For John Cage | 7:13 | ||
| 14 | Patterns in a Chromatic Field IPatterns in a Chromatic Field • 28:04 | 28:04 | |||
| 15 | Patterns in a Chromatic Field IIPatterns in a Chromatic Field • 29:54 | 29:54 | |||
| 16 | Patterns in a Chromatic Field IIIPatterns in a Chromatic Field • 22:11 | 22:11 | |||
| 17 | Patterns in a Chromatic Field IVPatterns in a Chromatic Field • 25:09 | 25:09 | |||
| 18 | …Im Klang I…...Im Klang... • 19:47 | 19:47 | |||
| 19 | Klavierstück '87...Im Klang... • 25:33 | 25:33 | |||
| 20 | …Im Klang II…...Im Klang... • 25:09 | 25:09 | |||
| 21 | Composition No. 107: Section ABraxton & Stockhausen • 4:40 | 4:40 | |||
| 22 | Composition No. 107: Section BBraxton & Stockhausen • 4:57 | 4:57 | |||
| 23 | Composition No. 107: Section CBraxton & Stockhausen • 9:03 | 9:03 | |||
| 24 | Composition No. 107: Section DBraxton & Stockhausen • 7:27 | 7:27 | |||
| 25 | Composition No. 107: Section EBraxton & Stockhausen • 5:05 | 5:05 | |||
| 26 | Composition No. 107: Section A (Take 2)Braxton & Stockhausen • 4:19 | 4:19 | |||
| 27 | Klavierstück VI (1954/55)Braxton & Stockhausen • 28:30 | 28:30 | |||
| 28 | Klavierstück VII (1954)Braxton & Stockhausen • 8:15 | 8:15 | |||
| 29 | Klavierstück VIII (1954)Braxton & Stockhausen • 2:15 | 2:15 | |||
| 30 | Intermission 5Works for Piano • 3:54 | 3:54 | |||
| 31 | Piano Piece (to Philip Guston)Works for Piano • 3:05 | 3:05 | |||
| 32 | Vertical Thoughts 4Works for Piano • 1:41 | 1:41 | |||
| 33 | PianoWorks for Piano • 29:17 | 29:17 | |||
| 34 | Palais de Mari (for Francesco Clemente)Works for Piano • 24:42 | 24:42 | |||
| 35 | Un Adieu: Molto lentamenteBot‐Ba • 5:08 | 5:08 | |||
| 36 | Sonata no. 2: I. Con estremo impeto, agitatissimoBot‐Ba • 5:08 | 5:08 | |||
| 37 | Sonata no. 2: II. Lento meditativoBot‐Ba • 7:19 | 7:19 | |||
| 38 | Sonata no. 2: III. Vivace tempestosoBot‐Ba • 3:32 | 3:32 | |||
| 39 | Sonata no. 3: I. Lento, rubatoBot‐Ba • 8:25 | 8:25 | |||
| 40 | Sonata no. 3: II. Con dolcezzaBot‐Ba • 5:31 | 5:31 | |||
| 41 | Sonata no. 3: III. ♩ = 72Bot‐Ba • 5:42 | 5:42 | |||
| 42 | Suite no. 8 “Bot‐Ba”: An Evocation of Tibet With Its Monasteries on the High Mountains – Tibetan Rituals – Prayers and Dances: I.Bot‐Ba • 3:02 | 3:02 | |||
| 43 | Suite no. 8 “Bot‐Ba”: An Evocation of Tibet With Its Monasteries on the High Mountains – Tibetan Rituals – Prayers and Dances: II.Bot‐Ba • 6:02 | 6:02 | |||
| 44 | Suite no. 8 “Bot‐Ba”: An Evocation of Tibet With Its Monasteries on the High Mountains – Tibetan Rituals – Prayers and Dances: III.Bot‐Ba • 4:31 | 4:31 | |||
| 45 | Suite no. 8 “Bot‐Ba”: An Evocation of Tibet With Its Monasteries on the High Mountains – Tibetan Rituals – Prayers and Dances: IV.Bot‐Ba • 4:32 | 4:32 | |||
| 46 | Suite no. 8 “Bot‐Ba”: An Evocation of Tibet With Its Monasteries on the High Mountains – Tibetan Rituals – Prayers and Dances: V.Bot‐Ba • 3:27 | 3:27 | |||
| 47 | Suite no. 8 “Bot‐Ba”: An Evocation of Tibet With Its Monasteries on the High Mountains – Tibetan Rituals – Prayers and Dances: VI.Bot‐Ba • 4:41 | 4:41 | |||
| 48 | Sonata № 1Galina Ustvolskaya 3 • 10:00 | 10:00 | |||
| 49 | Sonata № 2Galina Ustvolskaya 3 • 9:07 | 9:07 | |||
| 50 | Sonata № 3Galina Ustvolskaya 3 • 17:31 | 17:31 |