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Bosse‐de‐Nage
51 songs
Total 51 songs
| Title | Rating | Play |
|---|---|---|
MarieBosse‐de‐Nage • 5:06 | ||
Marie Pisses Upon the CountBosse‐de‐Nage • 6:26 | ||
[untitled]Bosse‐de‐Nage • 6:11 | ||
Excerpt From the 5th CantoBosse‐de‐Nage • 6:48 | ||
Van Gogh Cooks His HandBosse‐de‐Nage • 5:59 | ||
Excerpt From Paris SpleenBosse‐de‐Nage • 7:42 | ||
Excerpt From Paris SpleenBosse‐de‐Nage • 8:53 | ||
Punk Rock / CodyDeafheaven / Bosse‐de‐Nage • 10:36 | ||
A Mimesis of PurposeDeafheaven / Bosse‐de‐Nage • 9:02 | ||
The ArboristIII (iii) • 6:18 | ||
DesuetudeIII (iii) • 7:29 | ||
Perceive There a SilenceIII (iii) • 6:53 | ||
CellsIII (iii) • 5:41 | ||
The God EnnuiIII (iii) • 10:26 | ||
An Ideal LedgeIII (iii) • 9:21 | ||
The ArboristIII • 6:19 | ||
DesuetudeIII • 7:30 | ||
Perceive There a SilenceIII • 6:53 | ||
CellsIII • 5:41 | ||
The God EnnuiIII • 10:27 | ||
An Ideal LedgeIII • 9:22 | ||
Volume II Chapter III • 8:10 | ||
Marie in a CageII • 7:35 | ||
The Lampless HoursII • 5:59 | ||
The Death PostureII • 9:23 | ||
Why Am I So Lovely? Because My Master Washes Me.II • 11:16 | ||
At NightAll Fours • 8:21 | ||
The Industry of DistanceAll Fours • 5:57 | ||
–All Fours • 2:04 | ||
A Subtle ChangeAll Fours • 5:52 | ||
WasherwomanAll Fours • 9:21 | ||
In a Yard SomewhereAll Fours • 5:45 | ||
To Fall DownAll Fours • 7:43 | ||
The Most Modern StaircaseAll Fours • 9:48 | ||
The TrenchFurther Still • 5:10 | ||
Down HereFurther Still • 3:48 | ||
CruxFurther Still • 3:57 | ||
ListlessFurther Still • 4:17 | ||
Dolorous InterludeFurther Still • 3:52 | ||
My ShroudFurther Still • 6:23 | ||
Sword SwallowerFurther Still • 4:20 | ||
VestigesFurther Still • 5:03 | ||
A Faraway PlaceFurther Still • 6:53 | ||
Excerpt From Paris SpleenDemo I • 8:33 | ||
[untitled]Demo I • 5:24 | ||
Excerpt From Fifth CantoDemo I • 6:45 | ||
Excerpt From First CantoDemo I • 6:02 | ||
Concerning the Death of a Number of People, and More Especially of Bosse‐de‐NageDemo I • 6:21 | ||
Excerpt From the 5th CantoDemo II • 6:58 | ||
Marie Pisses Upon the CountDemo II • 6:22 |
