Image license: All Rights Reserved
Dejan Lazić
262 songs
Total 262 songs
| # | Title | Album | Time | Rating | Play |
|---|---|---|---|---|---|
| 201 | Prelude (version 1: Assez lent et très expressive)Retrospection • 1:16 | 1:16 | |||
| 202 | Menuet sur le nom d'HaydnRetrospection • 1:14 | 1:14 | |||
| 203 | Pavane pour une infante défunteRetrospection • 6:07 | 6:07 | |||
| 204 | Sonatine: ModéréRetrospection • 3:56 | 3:56 | |||
| 205 | Sonatine: Mouvement de menuetRetrospection • 2:27 | 2:27 | |||
| 206 | Sonatine: AniméRetrospection • 3:36 | 3:36 | |||
| 207 | Le Tombeau de Couperin: Prélude. VifRetrospection • 2:56 | 2:56 | |||
| 208 | Le Tombeau de Couperin: Fugue. Allegro moderatoRetrospection • 2:04 | 2:04 | |||
| 209 | Le Tombeau de Couperin: Forlane. AllegrettoRetrospection • 5:45 | 5:45 | |||
| 210 | Le Tombeau de Couperin: Rigaudon. Assez VifRetrospection • 2:43 | 2:43 | |||
| 211 | Le Tombeau de Couperin: Menuet. Allegro moderatoRetrospection • 4:42 | 4:42 | |||
| 212 | Le Tombeau de Couperin: Toccata. VifRetrospection • 3:33 | 3:33 | |||
| 213 | Valses nobles et sentimentales: Modéré - Très francRetrospection • 1:17 | 1:17 | |||
| 214 | Valses nobles et sentimentales: Assez lent - Avec une expression intenseRetrospection • 2:09 | 2:09 | |||
| 215 | Valses nobles et sentimentales: ModéréRetrospection • 1:12 | 1:12 | |||
| 216 | Valses nobles et sentimentales: Assez animéRetrospection • 1:03 | 1:03 | |||
| 217 | Valses nobles et sentimentales: Presque lent - Dans un sentiment intimeRetrospection • 1:21 | 1:21 | |||
| 218 | Valses nobles et sentimentales: VifRetrospection • 0:33 | 0:33 | |||
| 219 | Valses nobles et sentimentales: Moins vifRetrospection • 2:57 | 2:57 | |||
| 220 | Valses nobles et sentimentales: LentRetrospection • 5:11 | 5:11 | |||
| 221 | A la manière de ChabrierRetrospection • 1:05 | 1:05 | |||
| 222 | A la manière de BorodineRetrospection • 1:15 | 1:15 | |||
| 223 | Prelude (version 2: d'un rythme libre)Retrospection • 1:21 | 1:21 | |||
| 224 | Piano Concerto in D major, op. 61a: I. Allegro ma non troppoThe London Connection • 24:41 | 24:41 | |||
| 225 | Piano Concerto in D major, op. 61a: II. LarghettoThe London Connection • 10:25 | 10:25 | |||
| 226 | Piano Concerto in D major, op. 61a: III. Rondo: (Allegro)The London Connection • 10:21 | 10:21 | |||
| 227 | Piano Sonata in B minor, op. 40/2: I. Molto adagio e sostenuto – Allegro con fuoco e con espressioneThe London Connection • 8:54 | 8:54 | |||
| 228 | Piano Sonata in B minor, op. 40/2: II. Largo, mesto e patetico – Allegro – Tempo 1 – PrestoThe London Connection • 8:07 | 8:07 | |||
| 229 | Piano Sonata in E major, op. 62 “Le retour à Londres”: I. Largo assai - AllegroThe London Connection • 7:35 | 7:35 | |||
| 230 | Piano Sonata in E major, op. 62 “Le retour à Londres”: II. Andante quasi AllegrettoThe London Connection • 3:21 | 3:21 | |||
| 231 | Piano Sonata in E major, op. 62 “Le retour à Londres”: III. Allegro non tantoThe London Connection • 5:00 | 5:00 | |||
| 232 | Hungarian Rhapsody no.18, S.244/18Life, Love & Afterlife: A Liszt Recital • 3:49 | 3:49 | |||
| 233 | Two Csárdás, S.225Life, Love & Afterlife: A Liszt Recital • 4:35 | 4:35 | |||
| 234 | Les Jeux d’eaux à la Villa d’Este from Années de Pèlerinage III, S.163/4Life, Love & Afterlife: A Liszt Recital • 6:59 | 6:59 | |||
| 235 | Concert Paraphrase, S.434 after Verdi’s RigolettoLife, Love & Afterlife: A Liszt Recital • 6:51 | 6:51 | |||
| 236 | Venezia e Napoli: I. GondolieraLife, Love & Afterlife: A Liszt Recital • 5:43 | 5:43 | |||
| 237 | Venezia e Napoli: II. CanzoneLife, Love & Afterlife: A Liszt Recital • 3:10 | 3:10 | |||
| 238 | Venezia e Napoli: III. TarantellaLife, Love & Afterlife: A Liszt Recital • 8:49 | 8:49 | |||
| 239 | Valse-Caprice No.6 from Soirées de Vienne, S.427Life, Love & Afterlife: A Liszt Recital • 7:13 | 7:13 | |||
| 240 | Erlkönig S.558/4Life, Love & Afterlife: A Liszt Recital • 4:29 | 4:29 | |||
| 241 | Confutatis Maledictis & Lacrimosa, S.550 from Requiem in D minor, K.626Life, Love & Afterlife: A Liszt Recital • 6:06 | 6:06 | |||
| 242 | Liebestraum no.3 – Notturno, S.541Life, Love & Afterlife: A Liszt Recital • 3:55 | 3:55 | |||
| 243 | Fantasy on motifs from Rienzi – Santo Spirito Cavaliere, S.439Life, Love & Afterlife: A Liszt Recital • 7:25 | 7:25 | |||
| 244 | Isoldens Liebestod, S.447 – Final Scene from Tristan und IsoldeLife, Love & Afterlife: A Liszt Recital • 8:16 | 8:16 | |||
| 245 | “O du mein holder Abendstern” from Tannhaüser, S.444Life, Love & Afterlife: A Liszt Recital • 6:35 | 6:35 | |||
| 246 | CybervariationTrouts • 3:25 | 3:25 | |||
| 247 | Quintet for Violin, Viola, Cello, Double Bass and Piano in A major “Trout Quintet”, op. 114 post., D 667: I. Allegro vivaceTrouts • 12:27 | 12:27 | |||
| 248 | Quintet for Violin, Viola, Cello, Double Bass and Piano in A major “Trout Quintet”, op. 114 post., D 667: II. AndanteTrouts • 6:26 | 6:26 | |||
| 249 | Quintet for Violin, Viola, Cello, Double Bass and Piano in A major “Trout Quintet”, op. 114 post., D 667: III. Scherzo. PrestoTrouts • 3:58 | 3:58 | |||
| 250 | Quintet for Violin, Viola, Cello, Double Bass and Piano in A major “Trout Quintet”, op. 114 post., D 667: IV. Thema. AndantinoTrouts • 7:08 | 7:08 |