
Image license: All Rights Reserved

Michael Schade
646 songs
Total 646 songs
| # | Title | Album | Time | Rating | Play |
|---|---|---|---|---|---|
| 451 | Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 1:31 | 1:31 | |||
| 452 | Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples)Nikolaus Harnoncourt Conducts Sacred Masterworks • 2:04 | 2:04 | |||
| 453 | Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 1:16 | 1:16 | |||
| 454 | Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph)Nikolaus Harnoncourt Conducts Sacred Masterworks • 4:25 | 4:25 | |||
| 455 | Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 3:10 | 3:10 | |||
| 456 | Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels)Nikolaus Harnoncourt Conducts Sacred Masterworks • 1:08 | 1:08 | |||
| 457 | Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels)Nikolaus Harnoncourt Conducts Sacred Masterworks • 3:03 | 3:03 | |||
| 458 | Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵]Nikolaus Harnoncourt Conducts Sacred Masterworks • 9:56 | 9:56 | |||
| 459 | Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attaccaNikolaus Harnoncourt Conducts Sacred Masterworks • 5:47 | 5:47 | |||
| 460 | Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attaccaNikolaus Harnoncourt Conducts Sacred Masterworks • 4:55 | 4:55 | |||
| 461 | Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4]Nikolaus Harnoncourt Conducts Sacred Masterworks • 7:03 | 7:03 | |||
| 462 | Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attaccaNikolaus Harnoncourt Conducts Sacred Masterworks • 4:13 | 4:13 | |||
| 463 | Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attaccaNikolaus Harnoncourt Conducts Sacred Masterworks • 5:01 | 5:01 | |||
| 464 | Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2]Nikolaus Harnoncourt Conducts Sacred Masterworks • 10:40 | 10:40 | |||
| 465 | Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attaccaNikolaus Harnoncourt Conducts Sacred Masterworks • 3:44 | 3:44 | |||
| 466 | Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8]Nikolaus Harnoncourt Conducts Sacred Masterworks • 13:07 | 13:07 | |||
| 467 | Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attaccaNikolaus Harnoncourt Conducts Sacred Masterworks • 7:05 | 7:05 | |||
| 468 | Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo INikolaus Harnoncourt Conducts Sacred Masterworks • 9:56 | 9:56 | |||
| 469 | Messa da Requiem: I. Requiem & Kyrie (chorus, soloists)Nikolaus Harnoncourt Conducts Sacred Masterworks • 8:36 | 8:36 | |||
| 470 | Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 2:34 | 2:34 | |||
| 471 | Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass)Nikolaus Harnoncourt Conducts Sacred Masterworks • 3:33 | 3:33 | |||
| 472 | Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 5:20 | 5:20 | |||
| 473 | Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor)Nikolaus Harnoncourt Conducts Sacred Masterworks • 3:51 | 3:51 | |||
| 474 | Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists)Nikolaus Harnoncourt Conducts Sacred Masterworks • 3:38 | 3:38 | |||
| 475 | Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano)Nikolaus Harnoncourt Conducts Sacred Masterworks • 4:17 | 4:17 | |||
| 476 | Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor)Nikolaus Harnoncourt Conducts Sacred Masterworks • 3:43 | 3:43 | |||
| 477 | Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 5:57 | 5:57 | |||
| 478 | Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 5:46 | 5:46 | |||
| 479 | Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists)Nikolaus Harnoncourt Conducts Sacred Masterworks • 4:52 | 4:52 | |||
| 480 | Messa da Requiem: III. Offertorio: “Hostias” (soloists)Nikolaus Harnoncourt Conducts Sacred Masterworks • 5:58 | 5:58 | |||
| 481 | Messa da Requiem: IV. Sanctus (chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 3:01 | 3:01 | |||
| 482 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 4:55 | 4:55 | |||
| 483 | Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass)Nikolaus Harnoncourt Conducts Sacred Masterworks • 6:29 | 6:29 | |||
| 484 | Messa da Requiem: VII. Libera me (soprano, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 2:39 | 2:39 | |||
| 485 | Messa da Requiem: VII. Libera me: “Dies irae” (chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 5:41 | 5:41 | |||
| 486 | Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 6:50 | 6:50 | |||
| 487 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 9:58 | 9:58 | |||
| 488 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 16:02 | 16:02 | |||
| 489 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 10:47 | 10:47 | |||
| 490 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 5:54 | 5:54 | |||
| 491 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 7:00 | 7:00 | |||
| 492 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 12:35 | 12:35 | |||
| 493 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus)Nikolaus Harnoncourt Conducts Sacred Masterworks • 9:45 | 9:45 | |||
| 494 | Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con motoNikolaus Harnoncourt Conducts Sacred Masterworks • 20:38 | 20:38 | |||
| 495 | Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenutoNikolaus Harnoncourt Conducts Sacred Masterworks • 11:35 | 11:35 | |||
| 496 | Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con motoNikolaus Harnoncourt Conducts Sacred Masterworks • 7:11 | 7:11 | |||
| 497 | Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. LargoNikolaus Harnoncourt Conducts Sacred Masterworks • 9:14 | 9:14 | |||
| 498 | Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegrettoNikolaus Harnoncourt Conducts Sacred Masterworks • 5:14 | 5:14 | |||
| 499 | Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con motoNikolaus Harnoncourt Conducts Sacred Masterworks • 6:58 | 6:58 | |||
| 500 | Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. LargoNikolaus Harnoncourt Conducts Sacred Masterworks • 6:50 | 6:50 |