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Antonio Pappano
1658 songs
Total 1658 songs
| # | Title | Album | Time | Rating | Play |
|---|---|---|---|---|---|
| 1601 | Elijah, op. 70, MWV A 25: Part Two: No. 27, Recitative. “See, now he sleepeth beneath a juniper tree in the desert”Elijah • 0:38 | 0:38 | |||
| 1602 | Elijah, op. 70, MWV A 25: Part Two: No. 28, Trio. “Lift thine eyes, O lift thine eyes to the mountains”Elijah • 1:24 | 1:24 | |||
| 1603 | Elijah, op. 70, MWV A 25: Part Two: No. 29, Chorus. “He, watching over Israel, slumbers not, nor sleeps”Elijah • 2:57 | 2:57 | |||
| 1604 | Elijah, op. 70, MWV A 25: Part Two: No. 30, Recitative. “Arise, Elijah”Elijah • 1:39 | 1:39 | |||
| 1605 | Elijah, op. 70, MWV A 25: Part Two: No. 31, Aria. “O rest in the Lord, and wait for Him”Elijah • 2:45 | 2:45 | |||
| 1606 | Elijah, op. 70, MWV A 25: Part Two: No. 32, Chorus. “He that shall endure to the end”Elijah • 2:09 | 2:09 | |||
| 1607 | Elijah, op. 70, MWV A 25: Part Two: No. 33, Recitative. “Night falleth round me, O Lord!”Elijah • 1:41 | 1:41 | |||
| 1608 | Elijah, op. 70, MWV A 25: Part Two: No. 34, Chorus. “Behold, God the Lord”Elijah • 4:00 | 4:00 | |||
| 1609 | Elijah, op. 70, MWV A 25: Part Two: No. 35, Recitative and Quartet with Chorus. “Above Him stood the Seraphim” – “Holy, holy, holy is God the Lord”Elijah • 2:23 | 2:23 | |||
| 1610 | Elijah, op. 70, MWV A 25: Part Two: No. 36, Chorus and Recitative. “Go, return upon thy way”Elijah • 1:20 | 1:20 | |||
| 1611 | Elijah, op. 70, MWV A 25: Part Two: No. 37, Arioso. “For the mountains shall depart”Elijah • 2:10 | 2:10 | |||
| 1612 | Elijah, op. 70, MWV A 25: Part Two: No. 38, Chorus. “Then did Elijah the prophet break forth like a fire”Elijah • 2:23 | 2:23 | |||
| 1613 | Elijah, op. 70, MWV A 25: Part Two: No. 39, Aria. “Then shall the righteous shine”Elijah • 2:11 | 2:11 | |||
| 1614 | Elijah, op. 70, MWV A 25: Part Two: No. 40, Recitative. “Behold, God hath sent Elijah the prophet”Elijah • 1:08 | 1:08 | |||
| 1615 | Elijah, op. 70, MWV A 25: Part Two: No. 41, Chorus. “But the Lord hath awakened one this night”Elijah • 3:00 | 3:00 | |||
| 1616 | Elijah, op. 70, MWV A 25: Part Two: No. 41, Quartet. “O come ev’ry one that thirsteth”Elijah • 3:21 | 3:21 | |||
| 1617 | Elijah, op. 70, MWV A 25: Part Two: No. 42, Final Chorus. “And then shall your light break forth”Elijah • 3:03 | 3:03 | |||
| 1618 | The Minotaur: Opening CreditsThe Minotaur • 0:29 | 0:29 | |||
| 1619 | The Minotaur: One: ArrivalThe Minotaur • 19:19 | 19:19 | |||
| 1620 | The Minotaur: Toccata 1The Minotaur • 1:13 | 1:13 | |||
| 1621 | The Minotaur: Two: The ChoiceThe Minotaur • 15:17 | 15:17 | |||
| 1622 | The Minotaur: Three: The LabyrinthThe Minotaur • 4:39 | 4:39 | |||
| 1623 | The Minotaur: Four: AriadneThe Minotaur • 5:01 | 5:01 | |||
| 1624 | The Minotaur: Five: The LabyrinthThe Minotaur • 9:10 | 9:10 | |||
| 1625 | The Minotaur: Toccata 2The Minotaur • 2:14 | 2:14 | |||
| 1626 | The Minotaur: Six: The Minotaur DreamsThe Minotaur • 8:56 | 8:56 | |||
| 1627 | The Minotaur: Seven: The LabyrinthThe Minotaur • 16:25 | 16:25 | |||
| 1628 | The Minotaur: OpeningThe Minotaur • 0:39 | 0:39 | |||
| 1629 | The Minotaur: Eight: A PropositionThe Minotaur • 11:29 | 11:29 | |||
| 1630 | The Minotaur: Toccata 3The Minotaur • 1:21 | 1:21 | |||
| 1631 | The Minotaur: Nine: The Minotaur DreamsThe Minotaur • 9:34 | 9:34 | |||
| 1632 | The Minotaur: Ten: The Oracle at PsychroThe Minotaur • 6:57 | 6:57 | |||
| 1633 | The Minotaur: Eleven: A Blind BargainThe Minotaur • 5:47 | 5:47 | |||
| 1634 | The Minotaur: Twelve: The LabyrinthThe Minotaur • 8:57 | 8:57 | |||
| 1635 | The Minotaur: Thirteen: The Death of the MinotaurThe Minotaur • 8:00 | 8:00 | |||
| 1636 | The Minotaur: Curtain CallsThe Minotaur • 3:49 | 3:49 | |||
| 1637 | The Minotaur: End CreditsThe Minotaur • 1:25 | 1:25 | |||
| 1638 | Daphnis et Chloé : Première partie : I. Introduction et Danse religieuseDaphnis et Chloé • 7:56 | 7:56 | |||
| 1639 | Daphnis et Chloé : Première partie : II. Les jeunes filles attirent Daphnis – Danse GénéraleDaphnis et Chloé • 3:39 | 3:39 | |||
| 1640 | Daphnis et Chloé : Première partie : III. Danse grotesque de DorconDaphnis et Chloé • 1:47 | 1:47 | |||
| 1641 | Daphnis et Chloé : Première partie : IV. Danse légère et gracieuse de Daphnis – Lyceion danse – Les piratesDaphnis et Chloé • 7:44 | 7:44 | |||
| 1642 | Daphnis et Chloé : Première partie : V. Une lumière irréelle enveloppe le paysage – Danse lente et mystérieuse – Daphnis se prosterne suppliantDaphnis et Chloé • 4:48 | 4:48 | |||
| 1643 | Daphnis et Chloé : Deuxième partie : VI. Voix, très lointaines – Animé et très rude (Danse guerrière) – Bryaxis ordonne d’amener la captiveDaphnis et Chloé • 7:04 | 7:04 | |||
| 1644 | Daphnis et Chloé : Deuxième partie : VII. Danse suppliante de Chloé – Bryaxis veut l’entraîner – L’ombre de Pan apparaîtDaphnis et Chloé • 5:44 | 5:44 | |||
| 1645 | Daphnis et Chloé : Troisième partie : VIII. Lever du jour – Daphnis cherche pour Chloé et il rêve d’elle – Daphnis et Chloé miment l’aventure de Pan et de SyrinxDaphnis et Chloé • 6:48 | 6:48 | |||
| 1646 | Daphnis et Chloé : Troisième partie : IX. Chloé réapparaîtDaphnis et Chloé • 4:42 | 4:42 | |||
| 1647 | Daphnis et Chloé : Troisième partie : X. Animé – Danse Générale – Danse de Daphnis et Chloé – Danse de Dorcon – Danse finale (Bacchanale)Daphnis et Chloé • 4:15 | 4:15 | |||
| 1648 | Cello Sonata in C major, op. 119: I. Andante graveSinfonia concertante, op. 125 / Cello Sonata, op. 119 • 11:40 | Sinfonia concertante, op. 125 / Cello Sonata, op. 119 | 11:40 | ||
| 1649 | Cello Sonata in C major, op. 119: II. ModeratoSinfonia concertante, op. 125 / Cello Sonata, op. 119 • 4:48 | Sinfonia concertante, op. 125 / Cello Sonata, op. 119 | 4:48 | ||
| 1650 | Cello Sonata in C major, op. 119: III. Allegro, ma non troppoSinfonia concertante, op. 125 / Cello Sonata, op. 119 • 8:09 | Sinfonia concertante, op. 125 / Cello Sonata, op. 119 | 8:09 |