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Eugen d’Albert
251 songs
Total 251 songs
| # | Title | Album | Time | Rating | Play |
|---|---|---|---|---|---|
| 101 | Siegfried: „Dort seh’ ich den Schild“ (Brünnhilde, Siegfried)Die toten Augen • 6:41 | 6:41 | |||
| 102 | Siegfried: „Ewig war ich, ewig bin ich“ (Brünnhilde, Siegfried)Die toten Augen • 4:25 | 4:25 | |||
| 103 | Siegfried: „Dich lieb ich“ (Siegfried, Brünnhilde)Die toten Augen • 3:32 | 3:32 | |||
| 104 | Siegfried: „Ob jetzt ich dein?“ (Brünnhilde, Siegfried)Die toten Augen • 4:03 | 4:03 | |||
| 105 | Overture to “Esther”, op. 8Lamond: Symphony in A major / Concert Overture “From the Scottish Highlands” / D’Albert: Overture to Esther, op. 8 • 12:42 | 12:42 | |||
| 106 | Symphony in A major, op. 3: I. Allegro moderatoLamond: Symphony in A major / Concert Overture “From the Scottish Highlands” / D’Albert: Overture to Esther, op. 8 • 8:37 | 8:37 | |||
| 107 | Symphony in A major, op. 3: II. Allegro vivace, quasi prestoLamond: Symphony in A major / Concert Overture “From the Scottish Highlands” / D’Albert: Overture to Esther, op. 8 • 7:38 | 7:38 | |||
| 108 | Symphony in A major, op. 3: III. Andante moderatoLamond: Symphony in A major / Concert Overture “From the Scottish Highlands” / D’Albert: Overture to Esther, op. 8 • 7:43 | 7:43 | |||
| 109 | Symphony in A major, op. 3: IV. Allegro con spiritoLamond: Symphony in A major / Concert Overture “From the Scottish Highlands” / D’Albert: Overture to Esther, op. 8 • 7:24 | 7:24 | |||
| 110 | Ouvertüre aus dem schottischen Hochlande, op. 4Lamond: Symphony in A major / Concert Overture “From the Scottish Highlands” / D’Albert: Overture to Esther, op. 8 • 9:24 | 9:24 | |||
| 111 | Sword Dance from “Eine Liebe im schottischen Hochlande”Lamond: Symphony in A major / Concert Overture “From the Scottish Highlands” / D’Albert: Overture to Esther, op. 8 • 6:19 | 6:19 | |||
| 112 | Passacaglia in C minor, BWV 582Bach Piano Transcriptions 8 • 10:49 | 10:49 | |||
| 113 | Prelude (Fantasia) and Fugue in C minor, BWV 537: I. Prelude (Fantasia)Bach Piano Transcriptions 8 • 4:33 | 4:33 | |||
| 114 | Prelude (Fantasia) and Fugue in C minor, BWV 537: II. FugueBach Piano Transcriptions 8 • 3:07 | 3:07 | |||
| 115 | Prelude and Fugue in G major, BWV 541: I. PreludeBach Piano Transcriptions 8 • 2:26 | 2:26 | |||
| 116 | Prelude and Fugue in G major, BWV 541: II. FugueBach Piano Transcriptions 8 • 3:46 | 3:46 | |||
| 117 | Prelude (Toccata) and Fugue in F major, BWV 540: I. Prelude (Toccata)Bach Piano Transcriptions 8 • 7:39 | 7:39 | |||
| 118 | Prelude (Toccata) and Fugue in F major, BWV 540: II. FugueBach Piano Transcriptions 8 • 5:16 | 5:16 | |||
| 119 | Prelude and Fugue in A major, BWV 536: I. PreludeBach Piano Transcriptions 8 • 1:44 | 1:44 | |||
| 120 | Prelude and Fugue in A major, BWV 536: II. FugueBach Piano Transcriptions 8 • 3:54 | 3:54 | |||
| 121 | Prelude and Fugue in F minor, BWV 534: I. PreludeBach Piano Transcriptions 8 • 4:29 | 4:29 | |||
| 122 | Prelude and Fugue in F minor, BWV 534: II. FugueBach Piano Transcriptions 8 • 4:20 | 4:20 | |||
| 123 | Prelude (Toccata) and Fugue in D minor "Dorian", BWV 538: I. Prelude (Toccata)Bach Piano Transcriptions 8 • 5:01 | 5:01 | |||
| 124 | Prelude (Toccata) and Fugue in D minor "Dorian", BWV 538: II. FugueBach Piano Transcriptions 8 • 7:11 | 7:11 | |||
| 125 | Prelude and Fugue in D major, BWV 532: I. PreludeBach Piano Transcriptions 8 • 4:20 | 4:20 | |||
| 126 | Prelude and Fugue in D major, BWV 532: II. FugueBach Piano Transcriptions 8 • 5:21 | 5:21 | |||
| 127 | Sonata in F-sharp minor, op. 10: Mässig, aber leidenschaftlich bewegtSolo Piano Music • 9:13 | 9:13 | |||
| 128 | Sonata in F-sharp minor, op. 10: LangsamSolo Piano Music • 9:08 | 9:08 | |||
| 129 | Sonata in F-sharp minor, op. 10: Einleitung und Fuge: Sehr breitSolo Piano Music • 8:43 | 8:43 | |||
| 130 | Klavierstücke, op. 16: No. 2. Scherzo. Sehr lebhaftSolo Piano Music • 4:32 | 4:32 | |||
| 131 | Klavierstücke, op. 16: No. 3. Intermezzo. Anmuthig bewegtSolo Piano Music • 6:49 | 6:49 | |||
| 132 | Acht Klavierstücke, op. 5: No. 1 in C-sharp minor: Sehr leidenschaftlich bewegtSolo Piano Music • 3:48 | 3:48 | |||
| 133 | Acht Klavierstücke, op. 5: No. 2 in A major: Sehr ruhig und ausdruckvollSolo Piano Music • 3:38 | 3:38 | |||
| 134 | Acht Klavierstücke, op. 5: No. 3 in D minor: BewegtSolo Piano Music • 1:52 | 1:52 | |||
| 135 | Acht Klavierstücke, op. 5: No. 4 in B-flat major: Anmuthig bewegtSolo Piano Music • 3:25 | 3:25 | |||
| 136 | Acht Klavierstücke, op. 5: No. 5 in E-flat major: Etwas langsamSolo Piano Music • 4:40 | 4:40 | |||
| 137 | Acht Klavierstücke, op. 5: No. 6 in E-flat minor: LeidenschaftlichSolo Piano Music • 1:50 | 1:50 | |||
| 138 | Acht Klavierstücke, op. 5: No. 7 in A-flat major: Mässig, doch nicht zu langsamSolo Piano Music • 4:38 | 4:38 | |||
| 139 | Acht Klavierstücke, op. 5: No. 8 in C-sharp minor: Belebt, doch nicht zu schnellSolo Piano Music • 4:48 | 4:48 | |||
| 140 | SerenataSolo Piano Music • 4:46 | 4:46 | |||
| 141 | Capriolen, op. 32: No. 1. Falters FlammentodSolo Piano Music • 1:41 | 1:41 | |||
| 142 | Capriolen, op. 32: No. 2. Kose-WalzerSolo Piano Music • 1:16 | 1:16 | |||
| 143 | Capriolen, op. 32: No. 3. Rose im SchneeSolo Piano Music • 1:39 | 1:39 | |||
| 144 | Capriolen, op. 32: No. 4. Missie-MassaSolo Piano Music • 1:59 | 1:59 | |||
| 145 | Capriolen, op. 32: No. 5. Der Zirkus kommt!Solo Piano Music • 0:58 | 0:58 | |||
| 146 | Symphonic Prologue to the Opera “Tiefland”, op. 34Symphony in F Major / Symphonic Prelude to Tiefland • 10:45 | 10:45 | |||
| 147 | Symphony in F major, op. 4: I. Mässig bewegtSymphony in F Major / Symphonic Prelude to Tiefland • 16:19 | 16:19 | |||
| 148 | Symphony in F major, op. 4: II. Langsam, aber nicht schleppendSymphony in F Major / Symphonic Prelude to Tiefland • 12:06 | 12:06 | |||
| 149 | Symphony in F major, op. 4: III. Sehr schnellSymphony in F Major / Symphonic Prelude to Tiefland • 11:35 | 11:35 | |||
| 150 | Symphony in F major, op. 4: IV. Mässig langsam - BelebtSymphony in F Major / Symphonic Prelude to Tiefland • 11:55 | 11:55 |