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Elliott Carter
991 songs
Total 991 songs
| # | Title | Album | Time | Rating | Play |
|---|---|---|---|---|---|
| 951 | Epigrams: III.Late Works • 0:57 | 0:57 | |||
| 952 | Epigrams: IV.Late Works • 1:17 | 1:17 | |||
| 953 | Epigrams: V.Late Works • 1:12 | 1:12 | |||
| 954 | Epigrams: VI.Late Works • 0:49 | 0:49 | |||
| 955 | Epigrams: VII.Late Works • 1:01 | 1:01 | |||
| 956 | Epigrams: VIII.Late Works • 0:44 | 0:44 | |||
| 957 | Epigrams: IX.Late Works • 0:59 | 0:59 | |||
| 958 | Epigrams: X.Late Works • 1:28 | 1:28 | |||
| 959 | Epigrams: XI.Late Works • 1:17 | 1:17 | |||
| 960 | Epigrams: XII.Late Works • 1:30 | 1:30 | |||
| 961 | Eight Pieces for Four Timpani: I. SaëtaIsao Nakamura Plays Works for Solo Percussion • 4:18 | 4:18 | |||
| 962 | Eight Pieces for Four Timpani: V. ImprovisationIsao Nakamura Plays Works for Solo Percussion • 2:57 | 2:57 | |||
| 963 | dasselbe ist nicht dasselbeIsao Nakamura Plays Works for Solo Percussion • 15:09 | 15:09 | |||
| 964 | Solo (here: voice and tambourine) from ExoticaIsao Nakamura Plays Works for Solo Percussion • 3:49 | 3:49 | |||
| 965 | Ta‐Ryong IV (Die Kehrseite der Postmoderne)Isao Nakamura Plays Works for Solo Percussion • 3:59 | 3:59 | |||
| 966 | Thunder from Triangel (original version)Isao Nakamura Plays Works for Solo Percussion • 5:30 | 5:30 | |||
| 967 | Rebonds AIsao Nakamura Plays Works for Solo Percussion • 7:50 | 7:50 | |||
| 968 | Rebonds BIsao Nakamura Plays Works for Solo Percussion • 6:05 | 6:05 | |||
| 969 | Sen VIIsao Nakamura Plays Works for Solo Percussion • 9:43 | 9:43 | |||
| 970 | Ouvertüre nach französischer Art h-Moll, BWV 831: I. OuvertureOrion: J.S. Bach / Scriabin / Mozart / Carter • 7:40 | 7:40 | |||
| 971 | Ouvertüre nach französischer Art h-Moll, BWV 831: II. CouranteOrion: J.S. Bach / Scriabin / Mozart / Carter • 2:03 | 2:03 | |||
| 972 | Ouvertüre nach französischer Art h-Moll, BWV 831: III. Gavotte I & IIOrion: J.S. Bach / Scriabin / Mozart / Carter • 3:41 | 3:41 | |||
| 973 | Ouvertüre nach französischer Art h-Moll, BWV 831: IV. Passepied I & IIOrion: J.S. Bach / Scriabin / Mozart / Carter • 2:48 | 2:48 | |||
| 974 | Ouvertüre nach französischer Art h-Moll, BWV 831: V. SarabandeOrion: J.S. Bach / Scriabin / Mozart / Carter • 4:08 | 4:08 | |||
| 975 | Ouvertüre nach französischer Art h-Moll, BWV 831: VI. Bourree I & IIOrion: J.S. Bach / Scriabin / Mozart / Carter • 2:26 | 2:26 | |||
| 976 | Ouvertüre nach französischer Art h-Moll, BWV 831: X. GigueOrion: J.S. Bach / Scriabin / Mozart / Carter • 2:50 | 2:50 | |||
| 977 | Ouvertüre nach französischer Art h-Moll, BWV 831: XI. EchoOrion: J.S. Bach / Scriabin / Mozart / Carter • 2:57 | 2:57 | |||
| 978 | Piano Sonata no. 5, op. 53Orion: J.S. Bach / Scriabin / Mozart / Carter • 12:43 | 12:43 | |||
| 979 | 6 Variations on Giovanni Paisiello: I filosofi immaginari: "Salve tu, Domine" for Piano in F major, K. 416e/398Orion: J.S. Bach / Scriabin / Mozart / Carter • 7:11 | 7:11 | |||
| 980 | Piano Sonata: I. Maestoso - Legato scorrevoleOrion: J.S. Bach / Scriabin / Mozart / Carter • 11:08 | 11:08 | |||
| 981 | Piano Sonata: II. Andante - Allegro giustoOrion: J.S. Bach / Scriabin / Mozart / Carter • 14:47 | 14:47 | |||
| 982 | TarantellaChoral Music • 5:35 | 5:35 | |||
| 983 | Let’s be GayChoral Music • 3:09 | 3:09 | |||
| 984 | Emblems: No. 1. Maryland, Virginia, CarolineChoral Music • 3:44 | 3:44 | |||
| 985 | Emblems: No. 2. When it is all overChoral Music • 9:43 | 9:43 | |||
| 986 | Emblems: No. 3. By the great riverChoral Music • 3:01 | 3:01 | |||
| 987 | Heart not so heavy as mineChoral Music • 5:14 | 5:14 | |||
| 988 | Musicians Wrestle EverywhereChoral Music • 3:19 | 3:19 | |||
| 989 | To MusicChoral Music • 7:57 | 7:57 | |||
| 990 | The Defense of CorinthChoral Music • 13:18 | 13:18 | |||
| 991 | Harvest HomeChoral Music • 3:39 | 3:39 |