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Leonard Bernstein

9604 songs

Total 908 albums

Korngold: Violin Concerto in D major, Op. 35 / Bernstein: Serenade after Plato's 'Symposium'

2018

#	Title	Time
1	Violin Concerto in D major, Op. 35: I. Moderato nobile10:01	10:01
2	Violin Concerto in D major, Op. 35: II. Romanze8:47	8:47
3	Violin Concerto in D major, Op. 35: III. Allegro assai vivace7:52	7:52
4	Serenade (after Plato's 'Symposium'): I. Phaedrus: Pausanias. Lento and allegro7:02	7:02
5	Serenade (after Plato's 'Symposium'): II. Aristophanes. Allegretto4:25	4:25
6	Serenade (after Plato's 'Symposium'): III. Eryximachus. Presto1:31	1:31
7	Serenade (after Plato's 'Symposium'): IV. Agathon. Adagio7:16	7:16
8	Serenade (after Plato's 'Symposium'): V. Socrates: Alcibiades. Molto tenuto and allegro molto vivace)11:23	11:23

BIZET - CARMEN SUITES, Nos. 1 & 2 / L'ARLÉSIENNE SUITES, Nos. 1 & 2 (The Great Collection of Classical Music)

1985

#	Title	Time
1	CARMEN SUITE, No.1: The Toreadors2:32	2:32
2	CARMEN SUITE, No.1: Prelude to Act I1:14	1:14
3	CARMEN SUITE, No.1: Aragonaise2:24	2:24
4	CARMEN SUITE, No.1: Intermezzo2:45	2:45
5	CARMEN SUITE, No.1: Seguedilla1:56	1:56
6	CARMEN SUITE, No.1: The Soldiers of Alcala1:48	1:48
7	CARMEN SUITE, No. 2: March of the Smugglers4:19	4:19
8	CARMEN SUITE, No. 2: Habanera2:01	2:01
9	CARMEN SUITE, No. 2: Nocturne5:47	5:47
10	CARMEN SUITE, No. 2: The Toreador Song2:54	2:54
11	CARMEN SUITE, No. 2: Children's Chorus3:43	3:43
12	CARMEN SUITE, No. 2: Bohemian Dance4:23	4:23
13	L'ARLÉSIENNE SUITE No.1: Overture7:03	7:03
14	L'ARLÉSIENNE SUITE No.1: Minuet3:01	3:01
15	L'ARLÉSIENNE SUITE No.1: Adagietto3:49	3:49
16	L'ARLÉSIENNE SUITE No.1: Carillon4:28	4:28
17	L'ARLÉSIENNE SUITE No.2: Pastorale5:03	5:03
18	L'ARLÉSIENNE SUITE No.2: Intermezzo4:40	4:40
19	L'ARLÉSIENNE SUITE No.2: Minuet4:06	4:06
20	L'ARLÉSIENNE SUITE No.2: Farandole3:06	3:06

Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question"

2018

#	Title	Time
Disc 1
1	Vol. 1: Musical Phonology: "First of all..."2:01	2:01
2	Vol. 1: Musical Phonology: "Perhaps the principal thing..."1:40	1:40
3	Vol. 1: Musical Phonology: "Let me start..."0:53	0:53
4	Vol. 1: Musical Phonology: "This is not just a sentimental anecdote..."1:52	1:52
5	Vol. 1: Musical Phonology: "From this time..."2:29	2:29
6	Vol. 1: Musical Phonology: "But how do we investigate..."2:52	2:52
7	Vol. 1: Musical Phonology: "Now you can see..."1:29	1:29
8	Vol. 1: Musical Phonology: "Universality is a big word..."2:31	2:31
9	Vol. 1: Musical Phonology: "Other linguists..."2:46	2:46
10	Vol. 1: Musical Phonology: "I began by imagining myself..."2:12	2:12
11	Vol. 1: Musical Phonology: "Well, then I thought..."2:06	2:06
12	Vol. 1: Musical Phonology: "Let's make a simple analogy..."2:03	2:03
13	Vol. 1: Musical Phonology: "Maybe even a divine one..."1:33	1:33
14	Vol. 1: Musical Phonology: "But where do these notes come from?"2:22	2:22
15	Vol. 1: Musical Phonology: "This acoustical phenomenon..."2:08	2:08
16	Vol. 1: Musical Phonology: "All these upper notes..."1:52	1:52
17	Vol. 1: Musical Phonology: "The first overtone..."2:33	2:33
18	Vol. 1: Musical Phonology: "But more of that later..."1:56	1:56
19	Vol. 1: Musical Phonology: "But let's not make the mistake..."2:21	2:21
20	Vol. 1: Musical Phonology: "And that's how the tempered clavichord..."2:12	2:12
21	Vol. 1: Musical Phonology: "Now this is a substantive universal..."2:01	2:01
Disc 2
22	Vol. 1: Musical Phonology: "But let's be careful..."1:43	1:43
23	Vol. 1: Musical Phonology: "And there is always that blue note..."1:37	1:37
24	Vol. 1: Musical Phonology: "But even these twelve tones..."1:51	1:51
25	Vol. 1: Musical Phonology: "I trust you realize..."2:16	2:16
26	Vol. 1: Musical Phonology: "And again comes a great leap..."2:32	2:32
27	Vol. 1: Musical Phonology: "Now this means..."1:38	1:38
28	Vol. 1: Musical Phonology: "This is not to say that there were no drastic changes..."2:28	2:28
29	Vol. 1: Musical Phonology: "But meanwhile we are still in the Golden Age..."2:55	2:55
30	Vol. 1: Musical Phonology: "So, we're in the midst of a chromatic adventure..."1:27	1:27
31	Vol. 1: Musical Phonology: "And all by those progressions..."1:34	1:34
32	Vol. 1: Musical Phonology: "Now, I must point out..."1:57	1:57
33	Vol. 1: Musical Phonology: "Do you realize..."1:32	1:32
34	Symphony no. 40 in G minor, K. 550: I. Allegro molto8:19	8:19
35	Symphony no. 40 in G minor, K. 550: II. Andante8:31	8:31
36	Symphony no. 40 in G minor, K. 550: III. Minuetto. Allegretto & Trio4:36	4:36
37	Symphony no. 40 in G minor, K. 550: IV. Allegro assai6:10	6:10
Disc 3
38	Vol. 2: Musical Syntax: "Every once in a while..."1:44	1:44
39	Vol. 2: Musical Syntax: "Last week..."2:24	2:24
40	Vol. 2: Musical Syntax: "Amen, says Noam Chomsky..."2:09	2:09
41	Vol. 2: Musical Syntax: "I suppose what Chomsky is really after..."2:49	2:49
42	Vol. 2: Musical Syntax: "So, let's pull up our socks..."1:36	1:36
43	Vol. 2: Musical Syntax: "All right, let's try another one..."2:08	2:08
44	Vol. 2: Musical Syntax: "Why am I taking your time..."2:12	2:12
45	Vol. 2: Musical Syntax: "Well then..."1:48	1:48
46	Vol. 2: Musical Syntax: "I think it follows..."1:53	1:53
47	Vol. 2: Musical Syntax: "But first, what are these principles..."1:49	1:49
48	Vol. 2: Musical Syntax: "Transformational grammar..."1:36	1:36
49	Vol. 2: Musical Syntax: "But now just think of that sentence..."1:01	1:01
50	Vol. 2: Musical Syntax: "Since this is not a linguistics class..."1:49	1:49
51	Vol. 2: Musical Syntax: "Take the passive transformation..."1:50	1:50
52	Vol. 2: Musical Syntax: "Well, it hasn't brought us there..."1:51	1:51
53	Vol. 2: Musical Syntax: "Good - now just as three notes are linked together..."1:43	1:43
54	Vol. 2: Musical Syntax: "Now let's go back..."1:49	1:49
55	Vol. 2: Musical Syntax: "Now we are ready..."2:27	2:27
56	Vol. 2: Musical Syntax: "Now I want to take you..."2:05	2:05
57	Vol. 2: Musical Syntax: "Well, transformation, deletion, embedding, pronominalization..."1:48	1:48
58	Vol. 2: Musical Syntax: "I am sure I don't have to trouble..."2:16	2:16
59	Vol. 2: Musical Syntax: "Here I go..."1:31	1:31
60	Vol. 2: Musical Syntax: "I have asked myself..."1:55	1:55
61	Vol. 2: Musical Syntax: "I became so fascinated..."1:43	1:43
Disc 4
62	Vol. 2: Musical Syntax: "Let's take one such utterance..."2:01	2:01
63	Vol. 2: Musical Syntax: "Now imagine..."1:29	1:29
64	Vol. 2: Musical Syntax: "Now let's see..."2:33	2:33
65	Vol. 2: Musical Syntax: "Mozart's G minor Symphony..."1:21	1:21
66	Vol. 2: Musical Syntax: "Now our job is..."2:27	2:27
67	Vol. 2: Musical Syntax: "That introductory accompaniment..."1:26	1:26
68	Vol. 2: Musical Syntax: "What does this three-note design mean..."1:55	1:55
69	Vol. 2: Musical Syntax: "The reason I pick symmetry..."2:13	2:13
70	Vol. 2: Musical Syntax: "Now from here on..."2:05	2:05
71	Vol. 2: Musical Syntax: "And once again, we are back..."1:10	1:10
72	Vol. 2: Musical Syntax: "By far the chief transformational principle..."1:42	1:42
73	Vol. 2: Musical Syntax: "You see, one of the great failings..."1:57	1:57
74	Vol. 2: Musical Syntax: "Most people hearing Mozart's opening..."1:45	1:45
75	Vol. 2: Musical Syntax: "So what, you ask..."1:59	1:59
76	Vol. 2: Musical Syntax: "And if you are still not convinced..."2:32	2:32
77	Vol. 2: Musical Syntax: "These ambiguities..."1:20	1:20
78	Vol. 2: Musical Syntax: "For instance, in this same first movement..."1:59	1:59
79	Vol. 2: Musical Syntax: "So all these syntactic transformations of the same material..."1:14	1:14
80	Vol. 2: Musical Syntax: "He talks about this sonnet..."1:55	1:55
81	Vol. 2: Musical Syntax: "Because now it's time..."1:35	1:35
82	Vol. 2: Musical Syntax: "But now let's listen to..."2:09	2:09
83	Vol. 2: Musical Syntax: "Listen to the whole exposition..."2:02	2:02
84	Vol. 2: Musical Syntax: "Development coming up..."2:08	2:08
85	Vol. 2: Musical Syntax: "The circle of fifths again..."2:03	2:03
86	Vol. 2: Musical Syntax: "And that was all one single sentence..."1:17	1:17
Disc 5
87	Vol. 3: Musical Semantics: "The other day..."2:37	2:37
88	Vol. 3: Musical Semantics: "The first would show us one meaning..."1:13	1:13
89	Vol. 3: Musical Semantics: "Think of this famous passage..."2:23	2:23
90	Vol. 3: Musical Semantics: "A linguist would say..."1:53	1:53
91	Vol. 3: Musical Semantics: "Well, I replied, Chomsky would say..."2:06	2:06
92	Vol. 3: Musical Semantics: "Of course, that last metaphorical leap..."1:50	1:50
93	Vol. 3: Musical Semantics: "Terrific, said my blonde inquisitor..."1:44	1:44
94	Vol. 3: Musical Semantics: "In fact, when you think of the number..."2:16	2:16
95	Vol. 3: Musical Semantics: "All right, first let's look briefly..."2:42	2:42
96	Vol. 3: Musical Semantics: "Playing, that's the word..."1:48	1:48
97	Vol. 3: Musical Semantics: "But does this Stravinskian game concept..."2:31	2:31
98	Vol. 3: Musical Semantics: "There are three specific ways..."2:03	2:03
99	Vol. 3: Musical Semantics: "Now, having defined my usages of metaphor..."1:58	1:58
100	Vol. 3: Musical Semantics: "And here we are in trouble..."1:06	1:06
101	Vol. 3: Musical Semantics: "Are we feeling what Beethoven supposedly felt..."1:44	1:44
102	Vol. 3: Musical Semantics: "We will never know..."2:23	2:23
103	Vol. 3: Musical Semantics: "Now, if we accept this general idea..."1:40	1:40
104	Vol. 3: Musical Semantics: "In our last lecture..."1:47	1:47
105	Vol. 3: Musical Semantics: "We all recognize antithesis..."1:47	1:47
106	Vol. 3: Musical Semantics: "It can and it does..."1:24	1:24
107	Vol. 3: Musical Semantics: "And again, as in the poem..."2:14	2:14
108	Vol. 3: Musical Semantics: "In fact, it has been authoritatively suggested..."2:46	2:46
109	Vol. 3: Musical Semantics: "We can expand the idea..."2:51	2:51
110	Vol. 3: Musical Semantics: "What do you suppose..."2:51	2:51
111	Vol. 3: Musical Semantics: "What's seriously striking..."2:16	2:16
112	Vol. 3: Musical Semantics: "So why the Pastorale in this lecture..."2:42	2:42
113	Vol. 3: Musical Semantics: "Let's begin at the beginning..."1:41	1:41
114	Vol. 3: Musical Semantics: "But what of the more obvious melodic material..."1:47	1:47
115	Vol. 3: Musical Semantics: "But to develop how..."2:38	2:38
116	Vol. 3: Musical Semantics: "Now we have an insight..."2:13	2:13
117	Vol. 3: Musical Semantics: "But wait..."1:53	1:53
118	Vol. 3: Musical Semantics: "But why were just those two notes added..."2:05	2:05
Disc 6
119	Vol. 3: Musical Semantics: "The metaphor arises..."2:48	2:48
120	Vol. 3: Musical Semantics: "But in the ensuing four bars..."2:11	2:11
121	Vol. 3: Musical Semantics: "But that's not the main event..."2:05	2:05
122	Vol. 3: Musical Semantics: "Well, that's the beginning..."1:58	1:58
123	Vol. 3: Musical Semantics: "That's one of the questions..."2:00	2:00
124	Vol. 3: Musical Semantics: "This interference of the two frequencies..."2:04	2:04
125	Vol. 3: Musical Semantics: "But what are we to say..."1:40	1:40
126	Vol. 3: Musical Semantics: "It is to be found..."1:39	1:39
127	Vol. 3: Musical Semantics: "Now that's one way of looking..."2:03	2:03
128	Vol. 3: Musical Semantics: "At this point..."1:36	1:36
129	Vol. 3: Musical Semantics: "Even if you can succeed..."2:42	2:42
130	Symphony No. 6 in F major, Op. 68: I. Allegro ma non troppo11:09	11:09
131	Symphony No. 6 in F major, Op. 68: II. Andante molto moto13:46	13:46
132	Symphony No. 6 in F major, Op. 68: III. Allegro5:27	5:27
133	Symphony No. 6 in F major, Op. 68: IV. Allegro3:43	3:43
134	Symphony No. 6 in F major, Op. 68: V. Allegretto10:19	10:19
Disc 7
135	Vol. 4: The Delights and Dangers of Ambiguity: "When I first wrote down the title..."1:41	1:41
136	Vol. 4: The Delights and Dangers of Ambiguity: "Part of the danger..."2:02	2:02
137	Vol. 4: The Delights and Dangers of Ambiguity: "The idea of ambiguity..."1:32	1:32
138	Vol. 4: The Delights and Dangers of Ambiguity: "Similarly, in our second lecture..."2:06	2:06
139	Vol. 4: The Delights and Dangers of Ambiguity: "Then what's the magic secret..."2:53	2:53
140	Vol. 4: The Delights and Dangers of Ambiguity: "Enough of ambiguity..."1:52	1:52
141	Vol. 4: The Delights and Dangers of Ambiguity: "The irony of all this..."2:07	2:07
142	Vol. 4: The Delights and Dangers of Ambiguity: "But, mind you..."1:53	1:53
143	Vol. 4: The Delights and Dangers of Ambiguity: "Where music was concerned..."1:29	1:29
144	Vol. 4: The Delights and Dangers of Ambiguity: "Only think of..."1:58	1:58
145	Vol. 4: The Delights and Dangers of Ambiguity: "And Chopin: well, we can't ignore Chopin..."2:53	2:53
146	Vol. 4: The Delights and Dangers of Ambiguity: "And then, in the same little mazurka..."1:56	1:56
147	Vol. 4: The Delights and Dangers of Ambiguity: "Foolish questions..."1:34	1:34
148	Vol. 4: The Delights and Dangers of Ambiguity: "Let me try to read you..."1:56	1:56
149	Vol. 4: The Delights and Dangers of Ambiguity: "Listen to this..."1:45	1:45
150	Vol. 4: The Delights and Dangers of Ambiguity: "They began to intermingle..."1:30	1:30
151	Vol. 4: The Delights and Dangers of Ambiguity: "The pivotal point..."1:39	1:39
152	Vol. 4: The Delights and Dangers of Ambiguity: "So there is a dramatic change..."1:50	1:50
153	Vol. 4: The Delights and Dangers of Ambiguity: "So it is after all not so surprising..."2:31	2:31
154	Vol. 4: The Delights and Dangers of Ambiguity: "Now if you noticed..."1:40	1:40
155	Vol. 4: The Delights and Dangers of Ambiguity: "You see, the music is trying hard..."1:44	1:44
156	Vol. 4: The Delights and Dangers of Ambiguity: "So that instant in musical time..."1:33	1:33
157	Vol. 4: The Delights and Dangers of Ambiguity: "Now Romeo is all stirred up..."3:01	3:01
158	Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Andante malinconico e sostenuto -4:28	4:28
159	Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Allegro - Larghetto espressivo -1:57	1:57
160	Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Allegro -2:22	2:22
161	Roméo et Juliette, op. 17 (Excerpts) 1. Roméo seul - Tristesse - Bruits lointains de concert et de bal – Grande fête chez Capulet : Réunion des deux Thèmes, du Larghetto et de l’Allegro3:51	3:51
162	Vol. 4: The Delights and Dangers of Ambiguity: "What a piece..."2:30	2:30
163	Vol. 4: The Delights and Dangers of Ambiguity: "Quite unconsciously borrowed..."1:50	1:50
164	Vol. 4: The Delights and Dangers of Ambiguity: "My purpose in all this..."2:26	2:26
165	Vol. 4: The Delights and Dangers of Ambiguity: "Is it, says Wagner..."2:15	2:15
Disc 8
166	Vol. 4: The Delights and Dangers of Ambiguity: "Every diminished seventh chord..."1:23	1:23
167	Vol. 4: The Delights and Dangers of Ambiguity: "Now the remarkable thing is..."2:54	2:54
168	Vol. 4: The Delights and Dangers of Ambiguity: "And this is what gives Tristan..."2:54	2:54
169	Tristan und Isolde: Prelude and Liebestod19:05	19:05
170	Vol. 4: The Delights and Dangers of Ambiguity: "That may be the slowest performance..."2:25	2:25
171	Vol. 4: The Delights and Dangers of Ambiguity: "But ultimately..."1:38	1:38
172	Vol. 4: The Delights and Dangers of Ambiguity: "Poetry has begun to show..."1:41	1:41
173	Vol. 4: The Delights and Dangers of Ambiguity: "And when Debussy..."1:37	1:37
174	Vol. 4: The Delights and Dangers of Ambiguity: "It's lovely, this dreaming..."2:35	2:35
175	Vol. 4: The Delights and Dangers of Ambiguity: "For example, do you remember..."1:45	1:45
176	Vol. 4: The Delights and Dangers of Ambiguity: "In fact, the ending of this piece..."1:17	1:17
177	Vol. 4: The Delights and Dangers of Ambiguity: "Let me show you briefly..."2:07	2:07
178	Vol. 4: The Delights and Dangers of Ambiguity: "This new episode that proceeds..."1:24	1:24
179	Vol. 4: The Delights and Dangers of Ambiguity: "For instance, hardly have we had time..."2:29	2:29
180	Vol. 4: The Delights and Dangers of Ambiguity: "Because the scale..."1:53	1:53
181	Vol. 4: The Delights and Dangers of Ambiguity: "It's almost exactly what happens..."1:51	1:51
182	Vol. 4: The Delights and Dangers of Ambiguity: "Literally translated..."1:35	1:35
183	Vol. 4: The Delights and Dangers of Ambiguity: "But notice, too, that the example..."1:34	1:34
184	Vol. 4: The Delights and Dangers of Ambiguity: "Both works have definitive beginnings..."1:32	1:32
185	Vol. 4: The Delights and Dangers of Ambiguity: "Listen as I play..."1:51	1:51
186	Prelude to "Afternoon of a Faun"10:29	10:29
187	Vol. 4: The Delights and Dangers of Ambiguity: "Some crazy modern music..."1:04	1:04
Disc 9
188	Vol. 5: The Twentieth Century Crisis: "Our lecture tonight..."0:18	0:18
189	Rapsodie espagnole: IV. Feria (New York Philharmonic feat. conductor: Leonard Bernstein)6:32	6:32
190	Vol. 5: The Twentieth Century Crisis: "What a way to enter the twentieth century..."1:38	1:38
191	Vol. 5: The Twentieth Century Crisis: "But 1908, if the truth to be told..."1:28	1:28
192	Vol. 5: The Twentieth Century Crisis: "These troubling presentiments..."2:19	2:19
193	Vol. 5: The Twentieth Century Crisis: "So, now in 1908..."2:11	2:11
194	Vol. 5: The Twentieth Century Crisis: "This is atonality..."2:30	2:30
195	Vol. 5: The Twentieth Century Crisis: "A charming idea..."0:28	0:28
196	The Unanswered Question5:23	5:23
197	Vol. 5: The Twentieth Century Crisis: "Is that luminous final triad..."2:16	2:16
198	Vol. 5: The Twentieth Century Crisis: "I have recently been reading..."1:59	1:59
199	Vol. 5: The Twentieth Century Crisis: "We have already referred to some of those..."3:02	3:02
200	Vol. 5: The Twentieth Century Crisis: "In any case..."1:57	1:57
201	Vol. 5: The Twentieth Century Crisis: "But for all these reasons..."2:46	2:46
202	Vol. 5: The Twentieth Century Crisis: "Son of Tristan..."2:31	2:31
203	Vol. 5: The Twentieth Century Crisis: "Now you look at those first two bars..."2:20	2:20
204	Vol. 5: The Twentieth Century Crisis: "Of course, there are lots..."1:56	1:56
205	Vol. 5: The Twentieth Century Crisis: "It's as though a new covenant..."1:40	1:40
206	Vol. 5: The Twentieth Century Crisis: "Trouble is, that the new musical rules..."2:22	2:22
207	Vol. 5: The Twentieth Century Crisis: "The kind of tonal feeling..."2:53	2:53
208	Vol. 5: The Twentieth Century Crisis: "Of course, there are those who say..."1:40	1:40
209	Vol. 5: The Twentieth Century Crisis: "It seems somehow inevitable..."2:17	2:17
210	Vol. 5: The Twentieth Century Crisis: "Is there possibly the beginning..."2:47	2:47
211	Vol. 5: The Twentieth Century Crisis: "And what about Beethoven's Ninth..."2:44	2:44
212	Vol. 5: The Twentieth Century Crisis: "These are some of the problems..."2:40	2:40
Disc 10
213	Vol. 5: The Twentieth Century Crisis: "Now let's jump ahead..."2:23	2:23
214	Vol. 5: The Twentieth Century Crisis: "Let's put it another way..."2:10	2:10
215	Vol. 5: The Twentieth Century Crisis: "First of all, Berg chose a tone row..."1:54	1:54
216	Vol. 5: The Twentieth Century Crisis: "So, all in all..."0:52	0:52
217	Violin concerto (excerpt)10:36	10:36
218	Vol. 5: The Twentieth Century Crisis: "Fantastic..."2:50	2:50
219	Vol. 5: The Twentieth Century Crisis: "It comes at a point..."2:47	2:47
220	Violin concerto: II. Allegro, ma sempre rubato (excerpt)14:12	14:12
221	Vol. 5: The Twentieth Century Crisis: "If this particularly demanding lecture..."1:21	1:21
222	Vol. 5: The Twentieth Century Crisis: "If you really have been thinking..."2:13	2:13
223	Vol. 5: The Twentieth Century Crisis: "But while restudying this work..."2:21	2:21
224	Vol. 5: The Twentieth Century Crisis: "The twentieth century..."1:39	1:39
225	Vol. 5: The Twentieth Century Crisis: "What do you do if you know all this..."2:35	2:35
226	Vol. 5: The Twentieth Century Crisis: "It's very strange, how the pieces..."2:11	2:11
227	Vol. 5: The Twentieth Century Crisis: "What exactly was this news..."1:59	1:59
228	Vol. 5: The Twentieth Century Crisis: "We emerge from a cinema..."1:55	1:55
229	Vol. 5: The Twentieth Century Crisis: "As you listen to this finale..."2:35	2:35
230	Vol. 5: The Twentieth Century Crisis: "This is Mahler..."2:41	2:41
231	Symphony No. 9 in D major: IV. Adagio. Sehr Langsam Und Noch Zuruckhaltend22:59	22:59
Disc 11
232	Vol. 6: The Poetry of Earth: "I know what you are thinking..."1:53	1:53
233	Vol. 6: The Poetry of Earth: "What about this..."1:27	1:27
234	Vol. 6: The Poetry of Earth: "I am plaguing you with this question..."1:45	1:45
235	Vol. 6: The Poetry of Earth: "Of course what he is really talking about..."2:05	2:05
236	Vol. 6: The Poetry of Earth: "But it was precisely..."1:58	1:58
237	Vol. 6: The Poetry of Earth: "Now I have just used two words..."1:55	1:55
238	Vol. 6: The Poetry of Earth: "In fact, it was Satie, Picasso, and Cocteau..."2:20	2:20
239	Vol. 6: The Poetry of Earth: "But our scene..."1:53	1:53
240	Vol. 6: The Poetry of Earth: "Even in the most..."2:03	2:03
241	Vol. 6: The Poetry of Earth: "For our purposes..."2:11	2:11
242	Vol. 6: The Poetry of Earth: "Musicologists are always pointing..."1:56	1:56
243	Vol. 6: The Poetry of Earth: "But bitonality does not only serve..."2:20	2:20
244	Vol. 6: The Poetry of Earth: "Of course, polytonality can and does..."2:09	2:09
245	Vol. 6: The Poetry of Earth: "Now what's going on..."2:21	2:21
246	Vol. 6: The Poetry of Earth: "And while you are in that record shop..."2:15	2:15
247	Vol. 6: The Poetry of Earth: "Of course, these asymmetries..."1:53	1:53
248	Vol. 6: The Poetry of Earth: "Brutal it may be..."1:32	1:32
249	Vol. 6: The Poetry of Earth: "Now, remember..."1:59	1:59
250	Vol. 6: The Poetry of Earth: "These are two sets..."1:59	1:59
251	Vol. 6: The Poetry of Earth: "Just cast an eye..."2:44	2:44
252	Vol. 6: The Poetry of Earth: "Now that page of music..."2:59	2:59
253	Vol. 6: The Poetry of Earth: "But the most striking semantic effect..."1:39	1:39
254	Vol. 6: The Poetry of Earth: "This new aesthetic relaxation..."2:11	2:11
255	Vol. 6: The Poetry of Earth: "Even some Germans..."2:06	2:06
256	Vol. 6: The Poetry of Earth: "You can see how the transformation..."1:55	1:55
257	Vol. 6: The Poetry of Earth: "Chomsky himself gives a classic example..."2:08	2:08
258	Vol. 6: The Poetry of Earth: "Very important, the ironic element..."2:39	2:39
259	Vol. 6: The Poetry of Earth: "So, it would seem..."2:17	2:17
260	Vol. 6: The Poetry of Earth: "But this neoclassic approach..."1:11	1:11
261	Vol. 6: The Poetry of Earth: "I think this is again a moment..."2:06	2:06
262	Vol. 6: The Poetry of Earth: "It's the essence..."2:34	2:34
263	Vol. 6: The Poetry of Earth: "If this poem were rewritten..."1:20	1:20
Disc 12
264	Vol. 6: The Poetry of Earth: "Why have I digressed..."1:46	1:46
265	Vol. 6: The Poetry of Earth: "Now can you understand..."1:37	1:37
266	Vol. 6: The Poetry of Earth: "Untermeyer called this..."1:42	1:42
267	Vol. 6: The Poetry of Earth: "Of course, with The Waste Land..."1:17	1:17
268	Vol. 6: The Poetry of Earth: "But the thing of it all is..."1:31	1:31
269	Vol. 6: The Poetry of Earth: "We are going to hear..."1:35	1:35
270	Vol. 6: The Poetry of Earth: "One has only learnt to get..."2:45	2:45
271	Vol. 6: The Poetry of Earth: "Now i propose only because..."2:23	2:23
272	Vol. 6: The Poetry of Earth: "This union is possible only because..."2:57	2:57
273	Vol. 6: The Poetry of Earth: "But what has all this to do with Stravinsky..."2:21	2:21
274	Vol. 6: The Poetry of Earth: "And this is the essence..."2:14	2:14
275	Vol. 6: The Poetry of Earth: "Look: here is a joke..."2:02	2:02
276	Vol. 6: The Poetry of Earth: "Chilling, shattering, neoclassic..."1:46	1:46
277	Vol. 6: The Poetry of Earth: "Stravinsky's own aesthetic pronouncements..."2:03	2:03
278	Vol. 6: The Poetry of Earth: "But of course he was forced..."1:31	1:31
279	Vol. 6: The Poetry of Earth: "And now we are finally ready..."2:36	2:36
280	Vol. 6: The Poetry of Earth: "And then Mozart appears..."2:35	2:35
281	Vol. 6: The Poetry of Earth: "But this eclecticism knows no bounds..."1:45	1:45
282	Vol. 6: The Poetry of Earth: "Now all this I had planned to tell you..."1:33	1:33
283	Vol. 6: The Poetry of Earth: "You think that's funny..."2:43	2:43
284	Vol. 6: The Poetry of Earth: "How about that..."2:56	2:56
285	Vol. 6: The Poetry of Earth: "Then came the answer..."2:41	2:41
286	Vol. 6: The Poetry of Earth: "But why this particular misalliance..."1:22	1:22
287	Vol. 6: The Poetry of Earth: "My words are poor..."1:58	1:58
Disc 13
288	Oedipus Rex: Prologue: "You are about to hear a Latin version of Oedipus the King"0:58	0:58
289	Oedipus Rex: Act I: "Caedit nos pestis"4:05	4:05
290	Oedipus Rex: Act I: "Liberi, vos liberabo"3:29	3:29
291	Oedipus Rex: Act I: "This is Creon, brother-in-law of Oedipus"0:26	0:26
292	Oedipus Rex: Act I: "Respondit deus"6:38	6:38
293	Oedipus Rex: Act I:" Oedipus questions the Fountain of Truth"2:44	2:44
294	Oedipus Rex: Act I: "Dicere non possum"5:22	5:22
295	Oedipus Rex: Act I: "Gloria!"1:11	1:11
296	Oedipus Rex: Act II: "The dispute of the princes attracts the attention of Jocasta"2:10	2:10
297	Oedipus Rex: Act II: "Nonn' erubescite, reges"4:25	4:25
298	Oedipus Rex: Act II: "Ne probentur oracula"3:20	3:20
299	Oedipus Rex: Act II: "Ego senem cecici"2:07	2:07
300	Oedipus Rex: Act II: "The witness to the murder comes out of the shadow"0:44	0:44
301	Oedipus Rex: Act II: "Adest omniscius pastor"4:32	4:32
302	Oedipus Rex: Act II: "Nonne monstrum rescituri"3:24	3:24
303	Oedipus Rex: Act II: "And now you are going to hear that famous monolog..."1:38	1:38
304	Oedipus Rex: Act II: "Divum Jocastae caput mortuum!"3:09	3:09
305	Oedipus Rex: Act II: "Ecce! Regem Oedipoda"2:46	2:46
306	Vol. 6: The Poetry of Earth: "Va-le-di-co..."2:06	2:06
307	Vol. 6: The Poetry of Earth: "During that decade..."1:46	1:46
308	Vol. 6: The Poetry of Earth: "It was at this point that I wrote..."1:43	1:43
309	Vol. 6: The Poetry of Earth: "What interests me about it..."2:15	2:15
310	Vol. 6: The Poetry of Earth: "Is it possible..."1:51	1:51
311	Vol. 6: The Poetry of Earth: "It's as tough in the period..."2:52	2:52
312	Vol. 6: The Poetry of Earth: "And I believe..."2:40	2:40

GROFÉ: GRAND CANYON SUITE / GERSHWIN: AN AMERICAN IN PARIS & RHAPSODY IN BLUE (The Great Collection of Classical Music)

1985

#	Title	Time
1	GROFÉ: GRAND CANYON SUITE, I.Sunrise5:13	5:13
2	GROFÉ: GRAND CANYON SUITE, II.Painted Desert5:48	5:48
3	GROFÉ: GRAND CANYON SUITE, III.On the Trail7:22	7:22
4	GROFÉ: GRAND CANYON SUITE, IV.Sunset5:26	5:26
5	GROFÉ: GRAND CANYON SUITE, V.Cloudburst9:02	9:02
6	GERSHWIN: AN AMERICAN IN PARIS18:28	18:28
7	GERSHWIN: RHAPSODY IN BLUE*16:29	16:29

Greatest Hits

1971

#	Title	Time
1	Der Hummelflug1:21	1:21
2	Vom jungen prinzen und der jungen prinzessin (Aus "Scheherazade", op. 35)10:12	10:12
3	Prozession der Ritter (Aus "Mlada")4:44	4:44
4	Hymne an die Sonne (Aus "Der goldene Hahn")4:35	4:35
5	Tanz der Narren (Aus "Schneeflöckchen")3:24	3:24
6	Hindu-Lied (Aus "Sadko")3:28	3:28
7	Sindbad der Seefahrer (Aus "Scheherazade", Op. 35)11:04	11:04
8	Scena E Canto Gitano / Fandango Asturiano (Aus "Capriccio Espagnol". Op. 34)5:53	5:53

Bernstein: Jeremiah Symphony / Roy Harris: Third Symphony

1962

#	Title	Time
1	Symphony no. 1, "Jeremiah": I. Prophecy7:36	7:36
2	Symphony no. 1, "Jeremiah": II. Profanation6:39	6:39
3	Symphony no. 1, "Jeremiah": III. Lamentation11:23	11:23
4	Symphony no. 3 (in one movement)17:12	17:12

Dancing to Falla and Bernstein

2010

#	Title	Time
1	Symphonic Dances from West Side Story: I. Prologue4:41	4:41
2	Symphonic Dances from West Side Story: II. “Somewhere”4:17	4:17
3	Symphonic Dances from West Side Story: III. Scherzo1:30	1:30
4	Symphonic Dances from West Side Story: IV. Mambo2:32	2:32
5	Symphonic Dances from West Side Story: V. Cha‐Cha1:00	1:00
6	Symphonic Dances from West Side Story: VI. Meeting Scene0:44	0:44
7	Symphonic Dances from West Side Story: VII. “Cool” Fugue4:16	4:16
8	Symphonic Dances from West Side Story: VIII. Rumble2:00	2:00
9	Symphonic Dances from West Side Story: IX. Finale3:28	3:28
10	El sombrero de tres picos (The Three‐Cornered Hat), Suite no. 2: I. The Neighbors’ Dance - Seguidillas3:30	3:30
11	El sombrero de tres picos (The Three‐Cornered Hat), Suite no. 2: II. The Miller’s Dance - Farruca3:02	3:02
12	El sombrero de tres picos (The Three‐Cornered Hat), Suite no. 2: III. Final Dance - Jota6:38	6:38

Conducts Shostakovich (Remastered 2017)

2018

#	Title	Time
1	Piano Concerto No. 2 in F major, Op. 102: I. Allegro7:13	7:13
2	Piano Concerto No. 2 in F major, Op. 102: II. Andante6:37	6:37
3	Piano Concerto No. 2 in F major, Op. 102: III. Allegro5:32	5:32
4	Symphony No. 5 in D minor, Op. 47: I. Moderato16:16	16:16
5	Symphony No. 5 in D minor, Op. 47: II. Allegretto4:56	4:56
6	Symphony No. 5 in D minor, Op. 47: III. Largo15:35	15:35
7	Symphony No. 5 in D minor, Op. 47: IV. Allegro non troppo8:59	8:59

Del Tredici: Paul Revere’s Ride - Theofanidis: The Here and Now - Bernstein: Lamentation from “Jeremiah”

#	Title	Time
1	The Here and Now: I. Inside This New Love, Die0:52	0:52
2	The Here and Now: II. Is the One I Love Everywhere?2:17	2:17
3	The Here and Now: III. The Sound of the Resurrection2:55	2:55
4	The Here and Now: IV. All Day and Night, Music4:24	4:24
5	The Here and Now: V. Narrative I. The Value of Our Souls0:55	0:55
6	The Here and Now: VI. Hear Blessings Dropping Their Blossoms Around You4:05	4:05
7	The Here and Now: VII. The One Who Pours Is Wilder Than We3:10	3:10
8	The Here and Now: VIII. Narrative II. Three Kinds of Women0:51	0:51
9	The Here and Now: IX. Drumsound Rises3:19	3:19
10	The Here and Now: X. Spreading Radiance2:09	2:09
11	The Here and Now: XI. Narrative III. Insomnia0:42	0:42
12	The Here and Now: XII. The Urgency of Love3:40	3:40
13	The Here and Now: XIII. The Music of Our Final Meeting3:25	3:25
14	Symphony No. 1 “Jeremiah”: III. Lamentation10:08	10:08
15	Paul Revere’s Ride: Pt. 1, The Call3:28	3:28
16	Paul Revere’s Ride: Pt. 2, The Wait7:17	7:17
17	Paul Revere’s Ride: Pt. 3, The Ride6:22	6:22
18	Paul Revere’s Ride: Finale. Fugue6:20	6:20
19	Paul Revere’s Ride: Finale. Chorale3:26	3:26
20	Paul Revere’s Ride: Finale. Epilogue3:00	3:00

Orchestral Music (American) - Gershwin, G. / Barber, S. / Bernstein, L. / Copland, A. (American Classics, Vol. 2)

1993

#	Title	Time
1	Porgy and Bess (excerpts) (arr. for orchestra)11:06	11:06
2	Medea’s Meditation and Dance of Vengeance, op. 23a13:15	13:15
3	Fancy Free: Enter Three Sailors3:07	3:07
4	Fancy Free: Scene at the Bar2:20	2:20
5	Fancy Free: Pas de Deux3:07	3:07
6	Fancy Free: Variation I1:32	1:32
7	Fancy Free: Variation II3:02	3:02
8	Fancy Free: Variation III2:50	2:50
9	Fancy Free: Finale1:43	1:43
10	El salon Mexico10:25	10:25
11	West Side Story: Melodies13:41	13:41

Symphonies nos. 1 & 2

2020

#	Title	Time
1	Symphony no. 1 “Jeremiah”: I. Prophecy6:34	6:34
2	Symphony no. 1 “Jeremiah”: II. Profanation7:49	7:49
3	Symphony no. 1 “Jeremiah”: III. Lamentation9:38	9:38
4	Symphony no. 2 “The Age of Anxiety”: Part 1: I. The Prologue2:08	2:08
5	Symphony no. 2 “The Age of Anxiety”: Part 1: II. The Seven Ages8:13	8:13
6	Symphony no. 2 “The Age of Anxiety”: Part 1: III. The Seven Stages6:21	6:21
7	Symphony no. 2 “The Age of Anxiety”: Part 2: IV. The Dirge6:08	6:08
8	Symphony no. 2 “The Age of Anxiety”: Part 2: V. The Masque5:01	5:01
9	Symphony no. 2 “The Age of Anxiety”: Part 2: VI. The Epilogue7:47	7:47

BBC Music, Volume 33, Number 4: Chichester Psalms

2024

#	Title	Time
1	Le Cantique des Cantiques (The Song of Songs): Dialogue2:37	2:37
2	Le Cantique des Cantiques (The Song of Songs): La Voix du bien-aimé3:02	3:02
3	Le Cantique des Cantiques (The Song of Songs): Le Songe1:38	1:38
4	Le Cantique des Cantiques (The Song of Songs): Le Roi Salomon1:24	1:24
5	Le Cantique des Cantiques (The Song of Songs): Le Jardin clos3:22	3:22
6	Le Cantique des Cantiques (The Song of Songs): La Sulamite3:31	3:31
7	Le Cantique des Cantiques (The Song of Songs): Épithalame2:55	2:55
8	SEEN20:16	20:16
9	Chichester Psalms: Psalm 108 v2; Psalm 1003:48	3:48
10	Chichester Psalms: Psalm 23; Psalm 2 vs1-45:37	5:37
11	Chichester Psalms: Psalm 131; Psalm 133 v19:12	9:12

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Leonard Bernstein

Korngold: Violin Concerto in D major, Op. 35 / Bernstein: Serenade after Plato's 'Symposium'

BIZET - CARMEN SUITES, Nos. 1 & 2 / L'ARLÉSIENNE SUITES, Nos. 1 & 2 (The Great Collection of Classical Music)

Leonard Bernstein at Harvard / The Norton Lectures 1973: "The Unanswered Question"

GROFÉ: GRAND CANYON SUITE / GERSHWIN: AN AMERICAN IN PARIS & RHAPSODY IN BLUE (The Great Collection of Classical Music)

Greatest Hits

Bernstein: Jeremiah Symphony / Roy Harris: Third Symphony

Dancing to Falla and Bernstein

Conducts Shostakovich (Remastered 2017)

Del Tredici: Paul Revere’s Ride - Theofanidis: The Here and Now - Bernstein: Lamentation from “Jeremiah”

Orchestral Music (American) - Gershwin, G. / Barber, S. / Bernstein, L. / Copland, A. (American Classics, Vol. 2)

Symphonies nos. 1 & 2

BBC Music, Volume 33, Number 4: Chichester Psalms

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